Essay on Metropolis Film Analysis - 1169 Words

Metropolis: â€Å"Breaking down the utopia† In January of1927 Metropolis was released to the German public. The film, which was directed by Fritz Lang, was one of the first science fiction movies in the history of film. The film focuses on the differences between the working class who power the city and the wealthy whom indulge in it. The film was host to many German stars at the time such as Alfred Abel and Brigette Helm. As this conflict is going there is a separate yet relative story unfolding, a mad scientist has created an android out of love and desperation. Soon that same desperation drives him to use this robotic woman agansist his fellow man, causing open revolt and bloodshed. As Joh Frederson, founder†¦show more content†¦They displayed the scale of things, whether the machine hall or Frederson’s office. I think the most interesting shot however, was a shot looking outside Joh Frederson’s window, showing the majesty of the city. It was a collaboration of scale models and paintings, which made up an entire futuristic city. It was breathtaking, especially considering the time period. The story itself was beautifully written by Lang and his wife. It was the first science fiction film ever made, no one had made a futuristic story about robots before, but that’s just what Metropolis was on the surface. Inside it was a story of love, a story of indifference, a story of struggle, it was a human story, and that’s what made it so successful. It was written simply, it was easy to understand yet it told a complex multilayered story. The lighting only brought more emotion and mood to the film. For all the close ups the faces were light very brightly, the natural shadows in the face in contrast with the bright light stressed the state of the characters. The lighting in Rotwang’s lab however was very dark, and there were a lot of shadows, which exemplified the nature of his character. The main element that made this film was the acting. It was necessary that all acting be overdramatic, it was the only way for the audience to truly grasp the emotions of the characters on screen. The best example is the scene where Freder wanders into the hall of machines and witness’ theShow MoreRelatedFilm Analysis : Metropolis And Metropolis1630 Words   |  7 PagesJoseph Spencer is the observer of the movie. Metropolis is directed by Fritz Lang; Metropolis mostly fits under the science-fiction and drama genres. Metropolis was released in 1927 (IMDb). Metropolis reveals to the observer that features a dystopian and contradictory world. The script is based on a novel by Thea Von Harbou, and the screenplay was written by her as well. (IMDb). Metropolis is controlled by Joh Fredersen acted by Alfred Abel (IMDb), a capitalist whose son, Freder played by GustavRead MoreAnalyzing the Twinkletoes, My Best Girl, and Metropolis Film Poster1002 Words   |  4 PagesThe St Andrean film poster for Twinkletoes (Charles Brabin, USA, 1926), My Best Girl (Sam Taylor, USA, 1927), and Metropolis (Fritz Lang, Germany, 1927) signifies the rise of the star system and film production companies. Furthermore, it touches on the broadening of the local theatrical audience, the decline of the internationality of film, the popularity of female sexualization, the continued interest in spectacle, and the growing interest in the modern and futuristic. Additionally, the posterRead MoreSimilarities Between Utopia And Dystopia1672 Words   |  7 Pagesbe explored in many forms of media such as artwork, film, music, poetry and even dance. The easiest and most vivid way to depict these genres to the audience is in films. Films specifically incorporate visual symbolism through colors and settings and screenshot width and filters. Films may also incorporate a subliminal message to the reader through background music used in different scenes. Displaying utopian and dystopian societies through film leaves some imagination to the audience while allowingRead Mo reCamparative Essay Metropolis 1984 web 1443 Words   |  6 Pagesï » ¿Module A: Elective 2 Sample Response: Metropolis and Nineteen Eighty-Four Response by: Cameron Malcher The question (adapted from 2014 HSC) Rebellion and revolution are ideas which connect Metropolis and Nineteen Eighty-Four. How do these two texts from different contexts reflect changing perspectives on this idea? What it requires Both texts are connected by an exploration of rebellion and revolution that have direct relevance to the composers and their audiences. Compare and contrast the similaritiesRead MoreAnalysis Of Fritz Lang s Metropolis And The Garden Of Eden 1955 Words   |  8 PagesThere is a lot to be said about Fritz Lang’s Metropolis, as it has many overlapping themes. There is the theme of humans becoming as replaceable as machines. It has a theme of class division which leads to a Marxist type revolution. The theme I want to focus on in this paper however, is the religious themes and symbolism that are prevalent throughout the film, as I feel they are the most prominent. Metropolis makes a lot of calls to Judeo-Christian religions and biblical stories, using its storytellingRead MoreSociety s Understanding Of The World Operates Around Them1085 Words   |  5 Pageslanguage shape social constructs and behaviors. â€Å"Discourses construct meanings and relationships, helping define common sense and legitimate knowledge. Each discourse rests on assumptions, judgments, and contentions that provide the basic terms of an alysis, debates, agreements, and disagreements(Dryzek).† One also must understand their historical context and institutional encasements in order to fully comprehend the discourse. All discourses have key tropes, metaphors, symbols, and genres that helpRead MoreModern Societies And Its Impact On Society2264 Words   |  10 Pagesfully graspable by the individual. It is this objective culture that Simmel concerns himself with in his essay, The Metropolis and Mental Life. The essay analyzes the individual in the context of modern, metropolitan life, comparing the social forces of modern life in the city with those of rural or small town settings. â€Å"The most profound reason,† he argues, â€Å"[that] the metropolis conduces to the urge of the most individual personal existence . . . appears to me to be the following: the developmentRead MoreAnalysis Of The Documentary Welcome On Lagos 1328 Words   |  6 Pages it was seen as an informal city that was created in its separation from Lagos. Usually for a city to form, there are certain structures and belief systems that are put into place as organizing principles of society. Wherein, the first part of the film showcases the society of Makoko, as it began to build a small community and eventually expanding into a larger city. The informal city had begun to create formal social relation s between individuals who shared a distinctive culture and political institutionsRead More A Clockwork Orange Essay: A Movie Analysis1704 Words   |  7 PagesA Clockwork Orange A Movie Analysis  Ã‚  Ã‚      In 1962, Anthony Burgess novel A Clockwork Orange was published for the first time. This novel was an anti-utopian fable about the near future, where teenage gangs habitually terrorize the inhabitants of a shabby metropolis. The novel deals with the main focus that man is a sinner but not sufficiently a sinner to deserve the calamities that are heaped upon him. It is a comic novel about a mans tragic lot. (Bergonzi 152).   Ã‚  Ã‚  Ã‚  Ã‚  In 1971, StanleyRead MoreAlfred Hitchcock s Rear Window1601 Words   |  7 PagesLike many of his films, Alfred Hitchcock’s Rear Window (1954) is an intense study in the sometimes-jarring idiosyncrasies of its main character, L.B. Jeffries (James Stewart). Jeffries is an observer by nature, a professional photographer confined to his apartment by an injury, with only insurance company nurse Stella (Thelma Ritter) and his girlfriend, Lisa Fremont (Grace Kelly) for company. This limitation impels him to begin observing his neighbors, and he witnesses events that lead him to believe